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Clara’s
fantastic dream
Clara Wieck Schumann met Hans Christian
Andersen in Copenhagen in 1841. One can well imagine the fabulous
conversations that must have taken place between the famous pianist,
born Clara Wieck, wife of the great Robert Schumann, and the marvellous
story-teller, appreciated in his native land but not yet internationally
recognized; he was best known for his poetry at that time.
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Clara gives a brief description of him in her diary: “Andersen
has the soul of a poet and a child; he’s still quite young,
not very handsome either, and moreover, he is vain and selfish to
a degree – yet I like him and getting to know him has been
an interesting and important experience for me. Whatever people
say, his virtues largely outweigh his vices.”
But
for Clara the fantastic dream had begun just a year earlier when
she married Robert. And Mara Dobresco’s record invites us
into the very heart of this fantastic dream of German Romantic music.
Over the last few years there have already been signs of a growing
interest in heroines of romantic music such as Clara Wieck, Robert
Schumann’s wife, or Fanny, Felix Mendelssohn-Bartholdy’s
sister, both sacrificed on the family altar by unbending and self-willed
men. Now a talented young Romanian pianist brings Clara and Robert
together in a single recital, and the listener can hear for himself
how much each of them owes to the other.
Before
she came to make this record, Mara Dobresco had already covered
a lot of ground in her intense personal itinerary. She was born
in Bucharest on 8 June 1976 (the same day as Robert Schumann !),
and took her first musical steps, so to speak, by studying at the
George Enescu Conservatory in Bucharest in the piano class of Gabriela
Stepan, whose teaching was to leave a lasting imprint on her pupil’s
playing. Then, after studying under Gérard Fremy at the Conservatoire
National Supérieur de Musique de Paris, where she was awarded
her diploma with special mention for excellence, the pianist went
on to win several important international competitions in Europe
and Australia. She has regularly been invited to record for Romanian
national radio and television, as well as for Radio France. Her
musical horizons have been enlarged by her encounters with personalities
such as Pierre-Laurent Aimard, Jeff Cohen, Hans Leygraf, Patrick
Cohen and Dominique Merlet, and her growing interest as an accompanist
for songs and the Lied was gradually confirmed. In her native country
singing has always been the living part of musical expression anyway.
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